I’m on the record as being among the rare cinephiles who find Wes Anderson’s style too twee, his films too ineffectual, to really hit as intended. So, it speaks to just how excellent The Royal Tenenbaums is that I not only can abide by Wes Anderson’s sensibility for the length of it but actually enjoy it.

Continue reading “2017 Movie #129: The Royal Tenenbaums (2001)” →